Quatrième congrès, Rotterdam, 1999

 

Fragmentation and integration in Beethoven's Bagatelles op. 126

 

George MOWAT-BROWN : "Whose Beethoven, anyway ?"

 

Paul SCHEEPERS : "Beethoven's Bagatelles op. 126: Unity in diversity"

 

Bemd ASMUS : "Risk and distance in Beethoven's op. 126"

 

Frank SAMOROTTO : "Temporal plasticity in Beethoven's Bagatelles op. 126, no. 1 and 6"

 

Paul van REIJEN : "Vielmehr will jede Nummer zuvor genau angesehen seyn" ["Rather, each number should be closely looked at before"]

On the reciprocity of analyste and performance in Beethoven's Bagatelles op. 126

 

Analysing structure in jazz music

 

Martin PFLEIDERER : "Analysing structures in contemporary improvised music - problems & chances"

 

KeithWATERS "Metrical conflict in jazz improvisation"

 

Hazel LEACH : "Milestones: an analysis of changes in harmonie language in jazz improvisation"

 

Henry MARTIN : "We Remember Clifford: variation technique at the middieground"

 

Barbara BLEIIJ : "Aspects of harmony in Clare Fischer's pièces for small ensemble"

 

Bruce COATES : "The construction and application of a model for the analysis of linear free improvisation"

 

Analysing twentieth century music

 

Volker HELBING : "Noctuelles by Ravel: an essay on the morphology of sound"

 

Dieter NANZ :"Vestiges of an early style: On Varèse's first version of Amériques"

 

André DOUW : "A matter of time: Igor Strawinsky's Symphony of Psalms"

 

Augostino Di SCIPIO "the eorchestra as a resource for Electro-acoustic music. The emerge of a newmedium in some works by Lennis Xenakis and Paul Dolden"

 

Makis SOLOMOS : "the unity of Xenakis' instrumental and electro-acoustic music"

 

Benjamin SCHWEITZER : "Bemd Alois Zimmermann's Tratto and ils relationships to selected works of his late period"

 

Ligeti's Violin Concerto : Historical Reflections through Modem Music

 

 

Amy BAUER : "Canon as secret ruie, sience and chaotic System in the music of Ligeti"

 

Maria KOSTAKEVA : "Das rhizomiabyrinthische Verfahren Ligetis auf dem Beispiel seines Violinkonzerts"

 

StephenTAYTOR : "Passacaglia and lament in Ligeti's recent music"

 

Friedemann KAWOHI : "Natural harmonies in Gyôrgy Ligeti's Violin Concerto and Trio for French Hom, Violin and Piano"

 

Yulia KREININ : "Ligeti's Violin Concerto: rediscovery and reinterpretation as basic formbuilding principles"

 

The principles of parody in Renaissance and twentieth century music

 

Alice TACAILLE : "Nicolas Gombert et Jean Richafort: parodie et intertextualité, quelle perspectives pour l'analyse?"

 

Ignace BOSSUYT : "Nicolas Gombert and parody in the chanson"

 

Andreas WACZKAT : "Parody Motets in the Opus Musicum ofJacobus Gallus: Methods for identification, an approach to analysis"

 

Michael CHRISTOFORIDIS : "Musical Borrowings and structure in Manuel de Falla's Concerto"

 

Marie-Christine FORGET : "Le Printemps of Claude le Jeune, Cinq Rechants of Oliver Messiaen: a compared analysis of an epistemological and compositional relationship"

 

The Trois Poèmes de Mallarmé of Debussy and Ravel

 

Clemens KEMME : "Futile sights of a moondrunk? Ravel's and Debussy's Mallarmé-settings"

 

Peter KAMINSKY : "Text-music transformation in Ravel's Trois Poèmes de Stéphane Mallarmé"

 

Carles GUINOVART : "the Trois Poèmes de Mallarmé of Debussy and Ravel"

 

Stephen DOWNES : "Nommez-nous... : Chords, names and desire in Debussy's setting of Mallamé's Placet Futile"

 

Eckehard KIEM : "Une rose dans les ténèbres : On Ravel's musical settings of Mallarmé's poems"

 

Craig AYREY : "Syntax, figures, and dissemination in Debussy's Soupir"

 

Interactions between acoustic and electro-acoustic music

 

Herman SABBE : "L'électronique: instrument de méthaphore"

 

Nicola SCALDAFERRI : "Towards a critical edition of Bruno Maderna's Musica su due dimension! (1952): Analysing sketches and tapes"

 

Marian van DIJK : "Montage technique in Edgar Varèse's Déserts"

 

Mark DELAERE : "Technology-Aesthetics-Composition: An Analysis of Karel Goeyvaert's Pièce for Piano and Tape (1964)"

 

René UIJIENHOET : "Signs (1969) of Ton Bolynèl: A signal to analysts of electro-acoustic music"

 

Anastasia GEORGAKI : "Creating synthetievoices in the interactive environment ofthe pièce En Echo (1995) for voice and electronics of Philippe Manoury. Exploration of the boundaries between the synthesis and the processing of the voice"

 

Methodological issues

 

Andreas BEMNAT : "Juxtaposing hierarchies- a key for the analysis of Debussy ?"

 

Renata SUCHOWIEJKO : "Structure et function de la cellule générative' dans le sonate cyclique. Résultats de l'application de la méthode

paradigmatique"

 

Wilma D'AMBROSIO, Maurizio GABRIELI, Egidio POZZI : "Towards an analysis of post-tonal music: Theoretical considerations and applications of method"

 

Aesthetical issues

 

William BENJAMIN : "When are musical structures of aesthetic interest ?"

 

Sander van MAAS : "The status of the score"

 

Christopher WINTLE : "Was ist Steigerung"

 

Analysing Oral Tradition

 

Joep BOR, Henri TOURNIER, Wim Van Der MEER : "the making of the Raga Guide; trancribing ragas; analysing ragas. An integrated presentation"

 

Jean-Claude CHABRIER : "Inter-ethnic memorized patterns and tunes in Assyria / Upper Mesopotamia"

 

 

Maria ACHTSIVASILI : "the word pattem as a guideline for the analysis of the Greek narrative songs in syllabic style - parallel analysis to the Byzantine Kontakion"

 

Variation process in tonal repertoire

 

John lRVING : "Variation technique in the Adagio of Mozart's String Quintet, K.593"

 

JanVANDENHEEDE : "Form and expression in Ludwig van Beethoven's Heiliger Dankgesang"

 

Christoph WUNSCH : "Variation-technique and form in Max Reger's Variationen und Puge über ein Thema von Ludwig von Beethoven op. 86"